老牌意大利军工企业Piaggio＆C. S.p.A.（意大利比亚乔集团）在二战后工厂已被夷为平地，企业创始人的儿子Enrico Piaggio（恩里科·比亚乔）为了迅速恢复战后经济，决定针对民用市场生产摩托车产品。历经重重困难，在爱情和同事们的支持下，最终恩里科成功生产出了Vespa摩托，并借由电影《罗马假日》的桥段打响了国际声誉。

老牌意大利军工企业Piaggio＆C. S.p.A.（意大利比亚乔集团）在二战后工厂已被夷为平地，企业创始人的儿子Enrico Piaggio（恩里科·比亚乔）为了迅速恢复战后经济，决定针对民用市场生产摩托车产品。历经重重困难，在爱情和同事们的支持下，最终恩里科成功生产出了Vespa摩托，并借由电影《罗马假日》的桥段打响了国际声誉。

"Mum would never lie to me, would she?" Innocent Bobby discovers the answer to this question when she is surprised by a last minute trip to the hospital.

"Mum would never lie to me, would she?" Innocent Bobby discovers the answer to this question when she is surprised by a last minute trip to the hospital.

李世民（莫少聪 饰）和吴国生（黄日华 饰）是多年的好友，后者因自己而丧命。对好友充满了愧疚的李世民收养了好友的儿子星仔（郑家麟 饰）。星仔个性叛逆，常常惹出许多的麻烦，让李世民的妻子郭可仪（何婉盈 饰）忍无可忍，最终选择离丈夫而去，只有李世民不离不弃的将星仔视如己出。 　　最终，星仔明白了李世民的苦心，两人之间逐渐产生了真挚的父子之情，在这个节骨眼上，星仔的亲生母亲叶芳（梁小冰 饰）突然出现在了李世民的生活里，要和李世民争夺星仔的抚养权。在此过程中，李世民和叶芳之间渐渐产生感情，无奈叶芳在国外已经结婚成家，两人的这段恋情注定不会有结果。

李世民（莫少聪 饰）和吴国生（黄日华 饰）是多年的好友，后者因自己而丧命。对好友充满了愧疚的李世民收养了好友的儿子星仔（郑家麟 饰）。星仔个性叛逆，常常惹出许多的麻烦，让李世民的妻子郭可仪（何婉盈 饰）忍无可忍，最终选择离丈夫而去，只有李世民不离不弃的将星仔视如己出。 　　最终，星仔明白了李世民的苦心，两人之间逐渐产生了真挚的父子之情，在这个节骨眼上，星仔的亲生母亲叶芳（梁小冰 饰）突然出现在了李世民的生活里，要和李世民争夺星仔的抚养权。在此过程中，李世民和叶芳之间渐渐产生感情，无奈叶芳在国外已经结婚成家，两人的这段恋情注定不会有结果。

All interviews in this documentary were shot over a long weekend at a 1984 hacker conference by the Whole Earth Catalog editors Stewart Brand and Kevin Kelley in Sausalito, California. The event itself (the hacker conference) was inspired by Steven Levy's classic book "Hackers - Heroes of the Computer Revolution".

原子弹的诞生永远改变了世界。在曼哈顿计划之前的几年里，地球上的大多数人根本无法想象如此强大的武器。然而，战争带来了新的发明。消灭敌人的新方法。消灭人类生命的新机器。核武器的出现不仅结束了历史上最大的冲突，还开启了原子时代和“大科学”的决定性时代。然而，随着世界被核武器所笼罩，我们始终处于人类彻底毁灭的边缘。

Elektro Moskva is an essayistic documentary about the Soviet electronic age and its legacy. The story begins with the inventor of the world's first electronic instrument, Leon Theremin, unveiling the KGB's huge pile of fascinating devices, some of which were musical. They all came into existence as a by-product of a rampant defense industry. Nowadays, those aged and abandoned 'musical coffins', as solidly made as a Kalashnikov, are being recycled and reinterpreted by the post-Soviet generations of musicians, sound collectors and circuit benders. The story of the Soviet synthesizers as an allegory to the everyday life under the Soviet system: nothing works, but you have to make the best out of it. An electronic fairy tale about the inventive spirit of the free mind inside the iron curtain- and beyond.